Sunday, March 26, 2006

p

God speaks to each of us

 

God speaks to each of us as he makes us,

 then walks with us silently out of the night.

 

 These are words we dimly hear:

 

 You, sent out beyond your recall,

 go to the limits of your longing.

 Embody me.

 

 Flare up like flame

 and make big shadows I can move in.

 

 Let everything happen to you: beauty and terror.

 Just keep going.  No feeling is final.

 Don't let yourself lose me.

 

 Nearby is the country they call life.

 You will know it by its seriousness.

 

 Give me your hand.

 

  ~ Rainer Maria Rilke ~

(Rilke's Book of Hours: Love Poems to God, translated by Anita Barrows and Joanna Macy)

Thursday, March 23, 2006

q

How different our lives are when we really know what is deeply important to us, and keeping that picture in mind, we manage each day to be and to do what really matters most.
     Stephen Covey
 
In the past year a number of people have joined this group.  It is wonderful to have more and more people sharing these thoughts.
 
  Please know that I am always happy to receive your suggestions.  I save them and when the time comes, they pop out and claim their spot.
I am especially interested in having more of us share our own poems.  while some of us have done so, I know of at least a half dozen - I am sure there are more of you - who do write, but have not yet let the rest of us enjoy your writing.  Please don't be shy.  I promise to respectfully share what you send in. 
 
And of course, if you have any reaction to any of the quotes or poems, please let me know.
Stephen

Sunday, March 19, 2006

p

The First Green of Spring

Out walking in the swamp picking cowslip, marsh marigold,
this sweet first green of spring. Now sautéed in a pan melting
to a deeper green than ever they were alive, this green, this life,

harbinger of things to come. Now we sit at the table munching
on this message from the dawn which says we and the world
are alive again today, and this is the world's birthday. And

even though we know we are growing old, we are dying, we
will never be young again, we also know we're still right here
now, today, and, my oh my! don't these greens taste good.

David Budbill

Thursday, March 16, 2006

q

I fear nothing, I hope for nothing, I am free.

        -Nikos Kazantzakis, poet and novelist (1883-1957)

Wednesday, March 08, 2006

q

Only those who risk going too far can possibly find out how far one can go.
T. S. Eliot

Sunday, March 05, 2006

p

The question before me, now that I

am old, is not how to be dead,

which I know from enough practice,

but how to be alive, as these worn

hills still tell, and some paintings

of Paul Cezanne, and this mere

singing wren, who thinks he's alive

forever, this instant, and may be.

 

 

Wendell Berry,  Sabbaths 2001, VI

Wednesday, March 01, 2006

q

Home is where you are; home is where you find yourself.
     Moritz Thompsen
 
Moritz Thompsen wrote only 4 books in his lifetime and he did not begin writing until his 50s. The scion of wealthy Seattlites, his grandfather was one of the robber barons in the west and his father was, in a word, impossible.  Moritz was a bombardier in WWII, then a hog farmer and finally he volunteered for the Peace Corps in the 60's.  Sent to Ecuador, his first book recounts his experiences in a poor coastal village.
 
Although he wrote only 4 books, he writes like an angel.  Somewhat irascible, he is also self-deprecating and always good company.  I recently reread all four of his books and, apart from having interesting stories to tell, his prose is so wonderful that it wouldn't matter much what he chose to write about.   As it is, all his books are  memoirs, compassionately describing the lives of those whose world he shares. 
The first, "Living Poor"  tells of his struggles to understand the people he has been sent to "serve".  The book is, in turns hilarious, deeply poignant and burning with anger at how the  poor are kept poor.
The second, "The Farm on the River of Emeralds"  tells of his partnership with one of his friends from the village as they purchase land and struggle to farm it together - and to understand one another.
The third book tells of a trip he makes to Brazil, after his partner has kicked him off the farm.  He never fails to be an interesting and thoughtful traveling companion as he reflects on his two years on the farm with his friend Ramon and the events - and his shortcomings - that led to his departure.
But it is his final book, published posthumously, that is his finest.  Entitled "My Two Wars",  it is about his experience making bombing runs over Germany during WWII and his battles with his tyrannical father.  In the previous three books we have had glimpses of his earlier life and what led him to live among the poor in south America, but in this book, we come to know how this man came to be who he was.  It is truly an epic tale and so skillfully written that it can be picked up and opened randomly to be read just for the pleasure of the his language and his company.
 
To give you a sense and to further encourage you to read him, here is a paragraph, chosen almost at random, from his third book:
The slow lazy negligent beat of the diesel is like the opening bars of some tremendously long Mahler symphony; it hints that we will be taken to far and awful places but at another's pace.  We must now submit to the river's rhythm.  All night in the cabin sleeping off and on, very warm in a curtained-off bunk, one of four, I listen to the piston beat of the engine - slow, slow - waiting for it to confront the push of currents, waiting for the boar to get under way.  It never changes and five days later (or was it six or seven?)  at the end of the trip, I will still be waiting, needing to have the memory of having struggled, at least for a time, against that unimaginable flood.